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Repertory

Rioult Repertory

BLACK DIAMOND (2003)

Length: 17 minutes
Music: Igor Stravinsky, “Duo Concertant”
Lighting: David Finley
Costumes: Pascal Rioult
Set: Pascal Rioult and Harry Feiner

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BOLERO (2002)

Length: 16 minutes
Music: Maurice Ravel, “Bolero”
Lighting: David Finley
Costumes: Ru
ss Vogler
Set: Harry Feiner

CASSANDRA’S CURSE (2016)

Length: 34 minutes
Music: Richard Danielpour, “Cassandra’s Curse”
Lighting: Jim French
Set: Harry Feiner
Video: Brian Clifford Beasley
Costumes: Elena Comendador
Narration: Kathleen Turner

CELESTIAL TIDES (2011)

Length: 22 minutes
Music: J.S. Bach,
“Brandenburg Concerto No. 6 in B-flat major”
Lighting: David Finley
Costumes: Karen Young
Projection Design: Harry Feiner
Projection Animation: Brian Clifford Beasley

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CITY (2010)

Length: 15 minutes
Music:
J. S. Bach, “Sonata for Violin and Piano #6 in G major”
Lighting: David Finley
Costumes: Karen Young
Projection Design: Brian Clifford Beasley

DREAM SUITE (2014)

Length: 20 minutes

Music: Peter Iliych Tchaikovsky,

“Orchestral Suite No. 2 in C Major”

Lighting: Jim French

Costumes: Karen Young

Masks: Anne Posluszny

DUETS SACRED & PROFANE (2016)

Length: 20 minutes

Music: Christoph W. Gluck, A. Mozart, Arvo Part, J. S. Bach

Lighting: Jim French

Costumes: Russ Vogler, Karen Young

FABLES (1997 / 2012)

Length: Varies based on number of sections performed; up to 45 minutes

Music: Paul Salerni, “Fables”

Lighting: David Finley / adapted by Pascal Rioult

Costumes: Russ Vogler / Pilar Limosner

Set: Harry Feiner

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FIREBIRD (2003)

Length: 30 minutes
Music: Igor
Stravinsky, “Firebird”
Lighting: David Finley
Costumes: Pilar Limosner
Set: Harry Feinerength

FIRE IN THE SKY (2017)
Length: 32 minutes
Music:
Deep Purple J. S. Bach
Lighting: Jim French
Costumes: Patricia Field & David Dalrymple

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HOME FRONT (2000)

Length: 17 minutes
Music: Maurice Rave
l, “Le Tombeau de Couperin”
Lighting: David
Finley
Costumes: Russ Vogler

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IF BY CHANCE (2006)

Length: 21 minutes
Music: Mozart, “Concerto
No. 23 in A Major,” arranged by Jacques Loussier
Lighti
ng: David Finley
Costu
mes: Pilar Limosner

IPHIGENIA (2013)

Length: 30 minutes
Music: Michael
Torke, “Iphigenia”
Lighting: Jim French
Set: Harry Feiner
Costumes: Ka
ren Young
Narration: Jacqueline Chambord

LES NOCES (2005)

Length: 26 minutes
Music: Igor Stravi
nsky, “Les Noces”
Lighting: David Finley
Costumes: Pilar Limosner

NOSTALGHIA (2018)

Length: 24 minutes

Music: Polina Nazaykinskaya, “Nostalghia”

Lighting: Jim French

Costumes: Naomi Luppescu

ON DISTANT SHORES (2011)

Length: 27 minutes
Music: Aaron Jay Kernis, “On Distant Shores”
Lighting: Da
vid Finley
Costumes: Pilar Limosner
Narration: Jacqueli
ne Chambord

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POLYMORPHOUS (2015)
Length: 15 minutes
Music: J.S. Bach
Lighting: David Finley
Costumes: Karen Young

Projection Designers: Brian C. Beasley and Harry Feiner

PRELUDE TO NIGHT (2001)

Length: 23 minutes
Music: Maurice Ravel, “Pr
elude a la nuit”, “Alborada del Gracioso,” & “Rapsodie Espagnole: Feria”
Lighting: David Finley
Costumes: R
uss Vogler
Set: Harry Feiner

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SMALL STEPS, TINY REVOLUTIONS (2008)

Length: 23 minutes
Music: Steven Sametz, “Small Steps, Tiny Revolutions”
Lighting: David Finley
Costumes: Dre
w Francis
Sets: Drew Francis

STREET SINGER (2015)

Length: 60 minutes
Music: Various
Music Director/Composer: Don Rebic
Lighting:
Jim French
Costumes: Pilar Limosner
Projection Design: Brian Clifford Beasley

TE DEUM (1995)

Length: 28 minutes
Music: Arvo
Part, “Te Deum”
Lighting: Jim French a
fter David Finley’s
Costumes: Mondo (Russ Vogler original)

TRANSGRESSIONS (2019)

Inspired by Joyce Carol Oates' Stories

Length: 29 minutes
Music: Charles Ives, Traditional Bluegrass, Aaron Copland
, George Gershwin
Lighting: Spencer Anderson & P. Rioult
Costumes: Elena Comendador & P.Rioult

THE VIOLET HOUR (2012)

Length: 19 minutes
Music: Joan To
wer, “Très Lent,”(1994) &

 “Catching a Wave” (2012)
Lighting: Clifton Taylor
Costumes: Maria Garcia

VIEWS OF THE FLEETING WORLD

(2008)

Length: 34 minutes

Music: J.S. Bach, “The Art of Fugue”

Lighting: David Finley

Costumes: Karen Young

Projection Design: Harry Feiner

Projection Animation: Brian Clifford Beasley

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WIEN (1995)

Length: 13 minutes
Music: Maurice Ravel, “La Valse*”
Lighting: Dav
id Finley
Costumes: Russ Vogler

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Touring Programs

PURPLE TO PÄRT

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PURPLE TO PÄRT pairs two of Rioult’s dances, "Te Deum" (1995 revised 2017) and "Fire in the Sky" (2017), that together make a powerful impact transporting the viewer to different times and places in Rioult’s artistic trajectory. As individual works, each piece resonates with the audience in distinctly personal ways. Explore Dance recommends “Don’t see the show alone; it will give you something to talk about.” Both pieces showcase Rioult's ability to seamlessly blend personal inspiration and spiritual exploration into captivating choreography.

RIOULT CLASSICS

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RIOULT CLASSICS includes three dances: "Bolero," a dynamic interpretation of Ravel's iconic score, showcased at the 2005 City Center Fall for Dance Festival, mesmerizing audiences with its electric energy and unrelenting crescendo. "Views of the Fleeting World," inspired by Hiroshige's woodcut prints and set to J.S. Bach's "The Art of Fugue," delicately explores life's ephemeral nature, praised by Gus Solomons, Jr. for its "elegance and emotional depth". Lastly, "Wien," premiered in 1995, unveils a poignant narrative set to Ravel's "La Valse," providing a thought-provoking glimpse into European society during the interwar period. Backstage praised it as "a spine-chilling work of choreography.” 

FAMILY PROGRAM

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FAMILY PROGRAM

In this dynamic and imaginative dance performance, choreographer Pascal Rioult draws inspiration from the rhythmic narratives of Jean de la Fontaine's "Fables." Using the universal language of dance, Rioult breathes new life into well-known tales like the "Crow and the Fox" and the "Tortoise and the Hare," among others. Originally created in 1997, this dance piece has undergone a revitalization, with Rioult infusing it with fresh costumes, lighting, and choreography, all set to an original score by composer Paul Salerni.

CUSTOM PROGRAM

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CUSTOM PROGRAM
In addition to the programs above, you may create your own program in consultation with the company based on your community’s needs and interests.

 
Check out our full repertory list above and contact us for a consultation. 

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